5/2/2023 0 Comments Edgar allan poe dupinHis detection may be taken as an allegory of our own potential reading," more specifically, that of "a close reading of the text, a formal analysis" (2). In his annotations to the story, Stephen Peithman also points out the possibility that the narrator "hides or covers up any clues" (314), but expresses his preference for the Dupin stories, because in them "the evidence is always right there in front of us, awaiting only Dupin's explanation of what it all means" (323).1 In contrast, it is precisely because of the very possibility that the "narrator is playing games with us" (Peithman 323) that "'Thou Art the Man'" becomes more intriguing for a reader such as Richard Kopley, who suggests in his study of the Dupin stories that "we may learn from Dupin to become our own Dupin. Consequently, the battle of wits is not simply fought between the two fictional characters-akin to the battle between the Minister, who hides the letter, and Dupin the finder in "The Purloined Letter"-but is also expanded into the realm of reality, into a developing "battle" between the narrator and the reader. As with the purloined letter, Poe seems to have hidden another murder in plain view in the text of "'Thou Art the Man,'" a story that is actually turned inside out to appear to be the story of a solved murder case. I argue that this rather obscure story, published two months after "The Purloined Letter," is possibly an advanced form of a tale of ratiocination, Poe's experiment to push the genre a step forward from the famous Dupin story. But characterizing the story as primarily a parody or comedy does not seem to do it justice. Irwin esteems it as "the first parody of " (202). Since "here is no attempt to treat the murder seriously" (Quinn 422), it seems reasonable that John T. However, in the end he is exposed by another detective figure, the narrator of the story. Its "detective" attempts to convince people that another man is the culprit in a murder for which the "detective" himself is responsible. In conclusion, the findings resonate with the COVID-19 epidemic’s upshots.ĭESPITE ITS COMPLICATED NARRATIVE DESIGN, "'THOU ART THE MAN'" (1844) is generally known as a "comic detective story" (Thompson 6). What can be implied from the analysis are as follows: (1) Fear of the disease results in the characters’ added distress, (2) The characters’ aberrant behaviour as to overprotect themselves is exacerbated by the dreadful situation, and (3) Poe’s obsession with dread and death to shock the readers can be historically traced through his own inner predicaments, ill-health, and the 1832 Cholera contagion. Repeated reading of the short stories shows that parallels can be drawn between these stories and today’s phenomenon about anxiety, social restriction, and health protocols. Three short stories by Poe, i.e., ‘The Masque of the Red Death’, ‘The Cask of Amontillado’, and ‘The Sphinx’ are chosen for examination using the thematic analysis method. The imagination of fear, isolation, and mask-wearing in Edgar Allan Poe’s short stories is resonant with the new expressions of the COVID-19 pandemic. This study offers a reflection on the current pandemic time through a close reading of selected American classic literary works. The rest of the story focuses on the deductive means by which Dupin discovers and retrieves the letter and thereby exemplifies Poe’s belief that the story must avoid diffusion and illuminate a “single effect” for the reader.Wort-case scenarios depicted in literary works may function to mourn and warn people about the real situation, such as the spread of COVID-19 that has altered worldwide life drastically. Dupin tells the prefect that he may be stumped by the very simplicity of the mystery. He is desperate to recover a stolen letter that the thief, a minister in the French government, will doubtless use to besmirch the honor of an unnamed woman of French royalty. He and his friend Dupin are enjoying a quiet evening together in Dupin’s library, smoking their pipes the narrator has been musing over the earlier mysteries of “The Murders in the Rue Morgue” and of that of Marie Roget when Monsieur G-, the Parisian police prefect, bursts into the room. The story, told by an unnamed first-person narrator, opens in Paris in the autumn. Dupin is also the model for Sherlock Holmes, Sir Arthur Conan Doyle’s famous fictional detective. Auguste Dupin, the archetype of the modern fictional detective who always outwits the less imaginative police. One of Edgar Allan Poe’s famous “tales of ratiocination” whose emphasis on deductive reasoning became the basis for the modern detective story, The Purloined Letter features Monsieur C. Analysis of Edgar Allan Poe’s The Purloined Letter
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